If she were the only good thing about this show, it would still be a must-watch.īut she’s not alone.
Ramakrishnan’s turn rivals performances like Michaela Watkins in “Casual” and Christina Applegate in “Dead to Me” in her ability to knit the tragic and highly comic together in one potent punch. Nor does the more rich emotional territory ever feel forced. (Like Devi, she’s an over-achiever.) Few debut performances have ever matched her assurance and empathy Ramakrishnan delivers Kaling and Fisher’s most barbed or demented punchlines with such natural grace that not one of them comes close to puncturing reality she is wholly human, flawed and fragile, throughout, even when the jokes are savage (and they often are). None of that would be possible without Ramakrishnan, a young actor who responded to an open call from Kaling to win the part without so much as a single credit on her resumé. It’s not the first comedy to manage that feat, but it’s a hell of a peak to climb, and the air up there is rarified.
MINDY KALING NEVER HAVE I EVER SERIES
That makes this series a comedy that’s also an incredible exploration of grief. This is a sitcom, and Devi gets into plenty of sitcom-ish hijinks-a stare-down with a coyote comes to mind-but while the protagonist may be unaware of what’s prompting her to wind up in these wild, fraught situations, the show always remembers. Oh, to be a fly on the wall when Kaling and Fisher first had this idea.) Yet the show never, ever forgets what Devi spends so much time trying to ignore: the death of her father and the mountains of unresolved issues surrounding that loss. (It’s an inspired bit of business for reasons I won’t spoil here, but long before that revelation, it makes perfect, off-kilter sense. The thing that’s most impressive about “Never Have I Ever,” particularly after the early introductory episodes, is that it absolutely matches Devi’s intensity of focus-and since it’s narrated by McEnroe, the narration matches it as well. And cool people have boyfriends, so that’s the key, right? Now walking again-a development that arose when she stood up to gawk at high school god Paxton (Darren Barnet)-she’s got to go back to school, and her considerable focus is directed not on dealing with her grief or nurturing her relationship with her tough mother ( Poorna Jagannathan of “ The Night Of”) and doesn’t-know-she’s-hot cousin (Richa Moorjani), nor her academic rivalry with the wealthy Ben ( Jaren Lewison), but on finding a way to make herself and best friends Fabiola (Lee Rodriguez) and Eleanor (former Legend of Tomorrow Ramona Young) cool.
It’s the story of Devi, a first-generation Indian-American teenager (Ramakrishnan) who lost the use of her legs after the unexpected death of her father (“Heroes” alum Sendhil Ramamurthy), an ailment presumably psychological in nature. But alongside that familiarity run several potent currents of originality. And because it’s Kaling, there’s both masterful use of and commentary on the tropes of the romantic comedy (here specifically the teen rom-com): the characters, and the young women in particular, often develop a wicked case of the heart-eyes.
There are first kisses, best friends, and school-adjacent humiliations there are moments of self-discovery, screaming matches, and hard-learned lessons.
Created by Kaling and Lang Fisher (also of “The Mindy Project”) and inspired by Kaling’s own adolescence, “Never Have I Ever” hits a lot of the beats you expect, both from this genre and from Kaling.
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